Peter Beard (2 Volume Set) [2008] | Peter Beard
Peter Beard (2 Volume Set) [2008] | Peter Beard
Peter Beard (2 Volume Set) [2008] | Peter Beard
Peter Beard (2 Volume Set) [2008] | Peter Beard
  • Load image into Gallery viewer, Peter Beard (2 Volume Set) [2008] | Peter Beard
  • Load image into Gallery viewer, Peter Beard (2 Volume Set) [2008] | Peter Beard
  • Load image into Gallery viewer, Peter Beard (2 Volume Set) [2008] | Peter Beard
  • Load image into Gallery viewer, Peter Beard (2 Volume Set) [2008] | Peter Beard

Peter Beard (2 Volume Set) [2008]

Vendor
Peter Beard
Regular price
$600
Sale price
$600
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Peter Beard (2 Volume Set) by Peter Beard [2008]

Fine/As-New with slight shelfwear.
2 Hardcover Books in Slipcase;
Taschen
12 pounds; 9.02 x 3.15 x 12.52 inches
383650877X

Artist, diarist, collector, and writer Peter Beard has fashioned his life into a work of art; the illustrated diaries he kept from a young age evolved into a serious career as an artist and earned him a central position in the international art world. He collaborated with Francis Bacon and Salvador Dali, he made diaries with Andy Warhol, worked on books with scientists like Dr. Norman Borlaug, Dr. Richard Laws, and Alistair Graham, and toured with Truman Capote, Terry Southern, and the Rolling Stones – all of whom are brought to life, literally and figuratively, in his work. He delved into the world of fashion for its beautiful women, taking Vogue stars like Veruschka to Africa and bringing new ones back to the U.S. with him. After spending time in Kenya and striking up a friendship with the author Isak Dinesen (Karen Blixen) in the early 1960s, Beard bought 50 acres next to her farm with the stipulation that he would film and write about the land and its flora and fauna.

He witnessed the dawn of Kenya’s population explosion, which challenged finite resources and stressed animal populations – including the starving elephants of Tsavo dying by the tens of thousands in a wasteland of eaten trees. So he documented what he saw – with diaries, photographs, and collages. He went against the wind in publishing unique and sometimes shocking books of these works, including The End of the Game. The corpses were laid bare; the facts carefully recorded, sometimes in type and often by hand. Beard uses his photographs as a canvas onto which he superimposes multi-layered contact sheets, ephemera, found objects, newspaper clippings that are elaborately embellished with meticulous handwriting, old-master inspired drawings, and often swaths of animal blood used as paint.